Along with a friend, the Eindhoven-based artist Qiaochu Guo, Rotterdam-based artist Tianyi Zheng reclaims Mulan as a queer figure torn between martial existence and post-war domesticity, reflecting the heteronormative pressures defining their own lives. Mixing interviews, performances and lyrical travel vignettes, Where Comes Mulan presents a piercing, deceptively casual illumination of history as a living, open project subject to constant revision and contestation.